Giallo a Venezia
Giallo a Venezia, also known as Giallo in Venice, has a reputation for being one of the sleaziest films produced in an already sleazy sub genre. Giallos, for the uninitiated, are Italian horror films known for their extreme violence and punctuated by scenes of explicit sex; giallos heavily influenced the American slashers of the 70s and 80s, but, for the most part, American horror films paled in comparison to their Italian counterparts.
While there are only a handful of deaths in Giallo a Venezia, the scenes are quite gory: there’s an immolation, a graphic dismemberment, and the usual requisite stabbings. Giallo a Venezia does feature plenty of sex and nudity, but the bare bodies on display frequently impact the plot. After finding a married couple’s dead bodies on the Venice beach, a detective is baffled by the crime’s seeming lack of motive. We spend the rest of the movie inter-cutting between the detective working on his case and flashbacks of the deceased couple. The film’s flashback structure is unique for a giallo, detailing the married couple’s last days before their ultimate demise Their marriage is, to put it politely, quite rocky. The husband suffers from a cocaine addiction and frequently indulges in kinky sex acts meant to debase his wife.
While Giallo a Venezia may lack the social commentary of Lucio Fulci or the swooping camera-work and visual styling of Dario Argento, it is still a giallo worth seeking out.
Unlike some other giallos from the period that have been lovingly restored on Bluray, tracking down a copy of Giallo a Venezia may present quite a challenge. I had to settle for a sub-par VHS rip.